Katalog
| İhraççı | Psophis |
|---|---|
| Yıl | 460 BC - 440 BC |
| Tür | Standard circulation coin |
| Değer | 1 Obol =⅙ Drachm |
| Para birimi | Drachm |
| Bileşim | Silver |
| Ağırlık | 1.03 g |
| Çap | |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered, Incuse |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | BCD Peloponnesos#1669 |
| Ön yüz açıklaması | Protome of the Keryneian Hind to right |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Fish swimming transversely to right between X and O and all within incuse square bordered by rays |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (460 BC - 440 BC) - - |
| Numisquare Kimliği | 6206850410 |
| Ek bilgiler |
Historical Context: This silver obol, issued by the Arcadian city of Psophis between 460 and 440 BC, dates to the early Classical period. Psophis, located in northwestern Arcadia, maintained its autonomy amidst the shifting power dynamics of the Peloponnese. The city's coinage served as a declaration of its independence and facilitated local commerce within its sphere of influence, a common practice among smaller Greek poleis. This era was characterized by significant cultural development and increasing inter-polis interactions, reflected in the adoption of standardized silver denominations.
Artistry: The anonymous engraver of this obol worked within the emerging Severe style, transitioning from Archaic rigidity towards Classical naturalism. Given the small flan typical of obols, the design would have been concise, likely featuring a local deity's head, such as a nymph, or an emblematic animal sacred to Psophis. The artistic execution, though constrained by scale, would aim for clear, recognizable iconography, reflecting the city's identity and religious affiliations, characteristic of Arcadian minting practices during this period.
Technical/Grading: Weighing 1.03 grams, this silver obol conforms to the prevailing weight standards for the denomination. Key high-points, such as the hair and facial features on a head design, or the central elements of an emblem, are critical for assessing wear. Due to the diminutive size and manual striking process, examples often exhibit irregular flan shapes, off-center strikes, or minor die imperfections. A well-centered strike with strong detail on the principal design elements would be highly desirable for collectors.