カタログ
| 発行体 | Lakedaimon |
|---|---|
| 年号 | 309 BC - 265 BC |
| 種類 | Standard circulation coin |
| 額面 | Obol (⅙) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 0.77 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BCD Peloponnesos#840 |
| 表面の説明 | Bearded head of Herakles right, wearing lion skin |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Upright club with four knot pairs, flanked by stars of six rays |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (309 BC - 265 BC) - - |
| Numisquare ID | 6159279690 |
| 追加情報 |
Historical Context: This silver obol from Lakedaimon, minted between 309 BC and 265 BC, represents a significant departure from Sparta's traditional aniconic monetary policy. During this late Classical to early Hellenistic period, Sparta, having lost its hegemonic power, increasingly found itself entangled in the broader Hellenistic economic and political landscape. The issuance of its own coinage, rather than relying solely on iron currency or foreign issues, reflects a pragmatic adaptation to the prevailing monetary systems of the Peloponnese and beyond, indicating a necessary integration into the wider Greek world for daily commerce and military expenditures.
Artistry: While specific engravers are not recorded for such small denominations, the stylistic elements of this obol would align with the broader late Classical to early Hellenistic Greek tradition, albeit potentially with a characteristic Spartan conservatism. Typical designs for Spartan silver of this era often feature powerful civic symbols or deities associated with the city, such as the head of Herakles or Zeus, or elements like a lion scalp or club. The compact nature of the obol's flan necessitates a focused and often simplified rendition of the chosen motif, prioritizing clarity over elaborate detail.
Technical/Grading: Struck in silver and weighing approximately 0.77 grams, this obol is a diminutive piece, typical for its denomination. Due to its small size, the strike quality can vary considerably; full detail on both obverse and reverse is often elusive. High points, such as the hair or facial features of a deity or the central elements of a symbol, are frequently subject to wear or weak striking. Flan imperfections, including irregular shape or off-center strikes, are common for issues of this period and size, impacting overall visual appeal and technical grade.