Catalogue
| Émetteur | Salapia |
|---|---|
| Année | 225 BC - 210 BC |
| Type | Standard circulation coin |
| Valeur | Obol (⅙) |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 8.80 g |
| Diamètre | 21.5 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | BMC Gr/It#10, SNG Copenhagen#685 var., SNG Morcom#219 |
| Description de l’avers | Laureate head of Apollo to right. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Horse prancing right, star above, lettering below. |
| Écriture du revers | Greek |
| Légende du revers | ΣAΛΠ INΩN |
| Tranche | |
| Atelier | |
| Tirage |
ND (225 BC - 210 BC) - - |
| ID Numisquare | 4279992290 |
| Informations supplémentaires |
Historical Context: This bronze obol, issued by Salapia (225-210 BC), directly reflects the tumultuous Second Punic War. Salapia, a strategically vital Apulian city, was caught between Rome and Hannibal. Initially Roman-allied, it defected to Hannibal after Cannae (216 BC), then notoriously betrayed the Carthaginians to rejoin Rome in 213 BC. This coinage likely served critical local economic functions, facilitating commerce or military payments amidst shifting loyalties, underscoring the city's precarious position.
Artistry: The specific engraver remains anonymous, typical for bronze issues of this period, yet the coin's design adheres to Hellenistic stylistic conventions prevalent in Magna Graecia. Artistic execution aimed for naturalistic, idealized portrayal, characteristic of Greek numismatic art. Common motifs for Salapian bronze coinage often included local deities like Zeus or Hera, or regional animals, reflecting the city's cultural identity. The aesthetic prioritized clarity and symbolic resonance.
Technical/Grading: This substantial bronze issue (8.80 grams, 21.5 millimeters) often exhibits characteristic challenges of ancient bronze production. A well-preserved example features a strong, centered strike, revealing full details on both obverse and reverse. High-point areas, such as a deity's hair or facial features, or animal musculature, are particularly susceptible to wear or weak strikes. Flan imperfections, including irregular shapes or surface pitting, are common. Patina quality, ranging from dark green to brown, significantly impacts eye appeal; uniform, stable patinas are highly desirable.