Catalog
| Issuer | Allifae |
|---|---|
| Year | 325 BC - 275 BC |
| Type | Standard circulation coin |
| Value | Obol (⅙) |
| Currency | Drachm |
| Composition | Silver |
| Weight | 0.47 g |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HN Italy#461 , SambonArt#824 , SNG ANS 1#165 |
| Obverse description | Laureate head of Apollo left. |
|---|---|
| Obverse script | Old Italics |
| Obverse lettering | ΑΛΛΙΒΑ |
| Reverse description | Skylla swimming right, holding sepia and fish; above and below, water birds. |
| Reverse script | Old Italics |
| Reverse lettering | ALLIBANON |
| Edge | |
| Mint | |
| Mintage |
ND (325 BC - 275 BC) - - |
| Numisquare ID | 4260406390 |
| Additional information |
Historical Context: This silver Obol was issued by Allifae, an ancient Samnite city in Campania, Southern Italy, between 325 and 275 BC. This era was dominated by the Samnite Wars, as Rome expanded across the peninsula. Allifae, a significant Samnite center, maintained economic autonomy, evidenced by its independent coinage. The Obol, a fractional denomination, was crucial for local commerce, facilitating daily transactions and reflecting the city's vitality amidst the turbulent political landscape before Roman integration.
Artistry: While specific engravers remain anonymous for these municipal issues, the Obol's artistic style reflects prevailing Hellenistic influences common in Magna Graecia and Campania. The design typically features a classical head, often a deity like Persephone or Athena, on the obverse, rendered with delicate features characteristic of late Classical to early Hellenistic Greek art. The reverse frequently depicts a local symbol or animal, such as a boar or horse, linking the coinage to Allifae's civic identity. The miniature scale required meticulous craftsmanship.
Technical/Grading: Struck in silver, this Obol weighs approximately 0.47 grams. Common technical characteristics include variable strike centering, with some examples showing partial design loss at the periphery due to the small flan. High-points for wear or strike quality assessment typically include the hair details on the obverse portrait and the musculature or defining features of the reverse animal. Planchet quality varies, and die wear significantly impacts the sharpness and preservation of details on these diminutive issues.