Katalog
| Emitent | Arpi |
|---|---|
| Rok | 215 BC - 212 BC |
| Typ | Standard circulation coin |
| Hodnota | Obol (⅙) |
| Měna | Drachm |
| Složení | Silver |
| Hmotnost | 0.68 g |
| Průměr | 12.0 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | HN Italy#648 |
| Popis líce | Helmeted head of Athena to left |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Grain ear |
| Písmo rubu | Greek |
| Opis rubu | ΑΡ ΠΑ |
| Hrana | |
| Mincovna | |
| Náklad |
ND (215 BC - 212 BC) - - |
| ID Numisquare | 3807462290 |
| Další informace |
Historical Context: This silver obol from Arpi, struck between 215 and 212 BC, offers a tangible link to the tumultuous Second Punic War. Arpi, a prominent Apulian city, initially allied with Rome but defected to Hannibal after the Battle of Cannae in 216 BC. This coinage thus dates to Arpi's period under Carthaginian influence, reflecting its strategic importance and complex political allegiances. Such issues were vital for local commerce and military expenditure during this precarious era, prior to Arpi's recapture by Roman forces in 213 BC.
Artistry: While a specific engraver for this diminutive obol is not identifiable, its stylistic execution falls within the Hellenistic tradition prevalent in Magna Graecia. Designs typically featured deities like Zeus or Persephone on the obverse, often paired with an eagle or other symbolic elements on the reverse, characteristic of Apulian coinage. Despite its small module, the intention was to convey recognizable iconography, though the minute scale often necessitated simplification. The artistry reflects local interpretations of dominant Greek numismatic motifs, adapted for wartime production.
Technical/Grading: Weighing 0.68 grams and measuring 12.0 millimeters, this silver obol represents a challenging medium for striking. High points, such as hair on a deity's portrait or animal musculature, are often the first areas to show wear or be incompletely struck due to the small flan and limitations of ancient die production. A full strike on such a small, often irregular, flan is rare, making well-centered examples with clear details highly prized. The fabric is typical of hammered coinage of the period, with potential for minor planchet imperfections.