Catálogo
| Emissor | Kleitor |
|---|---|
| Ano | 370 BC - 350 BC |
| Tipo | Standard circulation coin |
| Valor | Obol (⅙) |
| Moeda | Drachm |
| Composição | Silver |
| Peso | 0.95 g |
| Diâmetro | |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | SNG Copenhagen#220, BCD Peloponnesos#1421 |
| Descrição do anverso | Helmeted head of Athena facing right |
|---|---|
| Escrita do anverso | Greek |
| Legenda do anverso | |
| Descrição do reverso | Bridled horse advancing right with a trailing rein. Inscription around the horse |
| Escrita do reverso | Greek |
| Legenda do reverso | Κ Λ Η |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (370 BC - 350 BC) - - |
| ID Numisquare | 3576857380 |
| Informações adicionais |
Historical Context: This silver Obol from Kleitor, 370-350 BC, signifies a turbulent Greek era. Post-Leuctra (371 BC), Spartan hegemony waned, fostering the Arcadian League's rise. Kleitor, a prominent Arcadian city, navigated these power shifts, asserting autonomy via coinage. This issue highlights Kleitor's economic activity and political identity amidst intense inter-polis conflict, reflecting its need for currency and local transactions.
Artistry: The engraver remains anonymous, yet this Obol exemplifies the Late Classical stylistic school common in the Peloponnese. Kleitor's typical designs feature a laureate Zeus head on the obverse, often dignified, and a horse forepart on the reverse, symbolizing local traditions. Despite the obol's minute scale, artisans skillfully rendered recognizable civic iconography. The execution, though compact, adheres to the era's artistic conventions, presenting clear, simplified representations within the tiny flan's constraints.
Technical/Grading: Struck on a diminutive 0.95 gram silver flan, this Obol's technical quality is judged by its inherent limitations. High-points for a Zeus head typically include the brow, nose, and wreath. For a horse forepart, the mane and musculature are key wear areas. Small flans often result in off-center strikes, causing partial design or ethnic impressions. Die wear and minor planchet imperfections are common. A well-centered strike with full details is exceptional for this challenging denomination.