کاتالوگ
| صادرکننده | Heraia |
|---|---|
| سال | 425 BC - 375 BC |
| نوع | Standard circulation coin |
| ارزش | Obol (⅙) |
| واحد پول | Drachm |
| ترکیب | Silver |
| وزن | 0.94 g |
| قطر | 11.5 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | BMC Greek#16 |
| توضیحات روی سکه | Young Pan, nude, standing facing right, left foot set on a rock, right hand resting on hip, left elbow resting on knee and left hand holding scepter set on ground to right |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Head of Artemis facing left with H-R flanking her neck. All within incuse square |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (425 BC - 375 BC) - Only two exemplars known - |
| شناسه Numisquare | 2789489840 |
| اطلاعات تکمیلی |
Historical Context: This silver Obol, struck by the Arcadian city of Heraia between 425 and 375 BC, originates from a tumultuous era in ancient Greece. Following the Peloponnesian War, the Peloponnese was a crucible of shifting alliances. Heraia, though not a major power, maintained autonomy and economic activity through coinage. The Obol, a fractional denomination, was essential for daily transactions and local commerce, underscoring the city-state's participation in the broader Hellenic economic system amidst larger political upheavals.
Artistry: The artistic execution of this Obol reflects stylistic trends prevalent in Peloponnesian coinage during the late Classical period. While no specific engraver is attributed, the design adheres to regional artistic conventions. The obverse typically features a deity significant to Arcadia, such as Zeus Lykaios, depicted with a robust, idealized form. The reverse frequently displays a local nymph, animal, or emblematic device, rendered with compact detail necessitated by the diminutive flan. The style emphasizes clarity and regional identity.
Technical/Grading: Weighing 0.94 grams and measuring 11.5 millimeters, this silver Obol reflects ancient minting practices. High-points, such as the obverse deity's hair and features or the reverse device's central elements, are crucial for assessing strike quality and wear. Due to the small flan, minor off-centering or incomplete strikes are common. Full striking of all design elements, especially along the periphery, is rare. Metal quality is high, though surface imperfections or minor planchet flaws may occur. A well-centered strike with strong detail on primary motifs represents a premium example.