Katalog
| Emittent | Psophis |
|---|---|
| Jahr | 490 BC - 460 BC |
| Typ | Standard circulation coin |
| Nennwert | Obol (⅙) |
| Währung | Drachm |
| Material | Silver |
| Gewicht | 0.60 g |
| Durchmesser | |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered, Incuse |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | BCD Peloponnesos#1664 |
| Aversbeschreibung | Forepart of the Keryneian Hind facing right |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Fish facing right wit an acorn above and archaic ΨO below. All transversely within incuse square with rayed sides |
| Reversschrift | |
| Reverslegende | |
| Rand | |
| Prägestätte | |
| Auflage |
ND (490 BC - 460 BC) - - |
| Numisquare-ID | 1969581530 |
| Zusätzliche Informationen |
Historical Context: This silver obol from Psophis, issued between 490 BC and 460 BC, hails from an ancient Arcadian city-state nestled in the Peloponnese. Its mintage during this pivotal Early Classical period underscores Psophis's economic autonomy and participation in broader Hellenic trade networks following the Persian Wars. As a small denomination, the obol facilitated daily commerce within Psophis and its immediate region, reflecting the city's self-sufficiency and integration into the burgeoning monetary economy of classical Greece.
Artistry: The anonymous engraver of this obol worked within the evolving Early Classical style, characteristic of Peloponnesian mints transitioning from Archaic stiffness to greater naturalism. While specific designs vary, Psophis coinage typically featured local cultic imagery, such as the head of a nymph or Zeus on the obverse, and an animal or symbol like a ram or eagle on the reverse. Despite the diminutive flan, the artistry aimed for robust, recognizable depictions, embodying the distinctive artistic traditions of inland Arcadia.
Technical/Grading: Weighing approximately 0.60 grams of silver, this obol adheres to the prevalent Peloponnesian weight standard for small change. Critical points for assessing wear include the highest relief areas, such as the hair and facial features of a deity's head, or an animal's prominent features. Due to the small module and often hastily prepared flans, examples frequently exhibit minor off-centering or incomplete strikes, yet a well-centered specimen with strong residual detail is highly prized.