Catalogue
| Émetteur | Psophis |
|---|---|
| Année | 470 BC - 440 BC |
| Type | Standard circulation coin |
| Valeur | Obol (⅙) |
| Devise | Drachm |
| Composition | Silver |
| Poids | 0.92 g |
| Diamètre | 9.0 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered, Incuse |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HGC 5#1005, BCD Peloponnesos#1671 |
| Description de l’avers | Forepart of the Keryneian Hind facing left |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Fish facing right. Below, a smaller fish facing right. All within incuse square |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND (470 BC - 440 BC) - - |
| ID Numisquare | 1687309330 |
| Informations supplémentaires |
Historical Context: This silver obol, issued by the Arcadian city of Psophis in the Peloponnesos (470-440 BC), dates to the Early to High Classical period. Psophis, like many smaller Greek city-states, maintained autonomy amidst regional power shifts. Its coinage reflects participation in the burgeoning regional economy, facilitating daily transactions and affirming civic identity. This small denomination underscores the city's economic independence and integration into the Hellenic trade network.
Artistry: The engraver of this diminutive coin remains anonymous, common for this period and scale. Stylistically, it embodies the nascent naturalism and idealized forms of Early Classical Greek art. The obverse typically features a finely rendered head of a local deity or nymph, often Artemis. The reverse commonly displays a Psophis-specific symbol, such as a goat's head, executed with remarkable detail despite the coin's minuscule 9.0 mm diameter.
Technical/Grading: Struck on a 0.92 gram silver flan, this obol presents ancient minting challenges. High-points for the obverse deity typically include hair, nose, and diadem. For the reverse animal, the muzzle or horns are key high-points. Manual striking often results in off-centering or slight weakness, especially at the edges. However, well-preserved specimens retain sharp central motif detail, with good metallic fabric consistent with its Classical period origin.