Obol

Émetteur Trikka
Année 440 BC - 400 BC
Type Standard circulation coin
Valeur Obol (⅙)
Devise Drachm
Composition Silver
Poids 0.87 g
Diamètre 10.0 mm
Épaisseur
Forme Round (irregular)
Technique Hammered, Incuse
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s) BCD Thessaly II#778.1, HGC 4#315
Description de l’avers Horse rearing left with lettering ΙΣ above
Écriture de l’avers
Légende de l’avers
Description du revers Mantho (or the nymph Trikke) standing facing right, holding and opening a box. All within incuse square
Écriture du revers Greek
Légende du revers Τ ΡΙ ΚΑ
Tranche
Atelier
Tirage ND (440 BC - 400 BC) - -
ID Numisquare 1507653850
Informations supplémentaires

Historical Context: This silver obol from Trikka, a significant city in Thessaly, was struck between 440 and 400 BC, a period marked by the tumultuous Peloponnesian War. Trikka, renowned for its sanctuary of Asclepius, maintained local autonomy and economic vitality, issuing its own coinage to facilitate regional trade and civic functions. The city's strategic location within the fertile Thessalian plain contributed to its importance, even as it navigated the complex political landscape dominated by larger Greek powers.

Artistry: While the engraver remains anonymous, typical for these early classical fractional denominations, the coin exhibits the nascent naturalism characteristic of the High Classical Greek style. The obverse likely features a finely rendered head of a local nymph or hero, often depicted with a delicate profile and intricate coiffure. The reverse commonly displays a dynamic forepart of a horse, a motif emblematic of Thessaly’s famed equestrian tradition, conveying motion and power despite the coin’s diminutive size.

Technical/Grading: Given its modest 10.0 mm diameter and 0.87 gg weight, this obol often presents with characteristic technical limitations. High-points for the obverse portrait typically include the hair strands, nose, and chin, while the horse's mane and chest musculature define the reverse. Strikes are frequently off-center, leading to partial legends or devices. Planchets can be irregular, and die wear is common, yet well-preserved examples retain remarkable detail for such a small, frequently circulated piece.

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