Catalogue
| Émetteur | Kroton |
|---|---|
| Année | 350 BC - 300 BC |
| Type | Standard circulation coin |
| Valeur | Nomos (2) |
| Devise | Drachm |
| Composition | Silver |
| Poids | 7.94 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HN Italy#2173, SNG ANS 3#363 |
| Description de l’avers | Eagle standing facing left, with spread wings, on olive branch |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Tripod decorated with fillet, in the right field, Λ above K |
| Écriture du revers | Greek |
| Légende du revers | KPO Λ K |
| Tranche | |
| Atelier | |
| Tirage |
ND (350 BC - 300 BC) - - |
| ID Numisquare | 7206129720 |
| Informations supplémentaires |
Historical Context: The Nomos of Kroton, issued between 350 and 300 BC, represents a crucial period for this Achaean Greek city in Magna Graecia. While past its zenith of power and influence, Kroton maintained significant economic and cultural standing amidst shifting alliances and conflicts with Lucanian tribes and Syracuse. The continued striking of its standard silver denomination underscores the city's enduring autonomy and commercial activity during a turbulent era in southern Italy, reflecting its resilience despite external pressures.
Artistry: This Nomos exemplifies the refined Late Classical to Early Hellenistic artistic traditions prevalent in Magna Graecia. While specific engravers often remain anonymous, the coin's design typically features the iconic tripod of Apollo, a direct reference to Kroton's renowned oracle and religious significance. The reverse frequently depicts an eagle or a head of a local nymph or hero, executed with increasing naturalism and detailed rendering characteristic of the period's stylistic evolution, showcasing the skill of anonymous master die-cutters.
Technical/Grading: Struck in silver with a weight of 7.94 grams, typical for the Nomos denomination, technical assessment focuses on the strike's quality. High points for a tripod design include the bowl's rim and legs; for a head, the hair details and facial features. A well-struck example exhibits full detail on these elements, good centering, and a round, well-prepared flan, indicating careful production despite the inherent variability of ancient hand-struck coinage. Minor flan cracks or off-centering are common due to the striking process.