Nomos

Issuer Tarentum
Year 510 BC - 450 BC
Type Standard circulation coin
Value Nomos (2)
Currency Drachm
Composition Silver
Weight 7.96 g
Diameter
Thickness
Shape Round (irregular)
Technique Hammered
Orientation
Engraver(s)
In circulation to
Reference(s) SNG Ashmolean#796
Obverse description Oecist, naked, seated on dolphin right, with his left arm outstretched. Below, gilled snail shell
Obverse script
Obverse lettering
Reverse description Female head (Satyra ?) facing right, hair bound with broad band
Reverse script
Reverse lettering
Edge
Mint
Mintage ND (510 BC - 450 BC) - -
Numisquare ID 1081138120
Additional information

Historical Context: This silver Nomos from Tarentum dates to a flourishing period in Magna Graecia, spanning the late Archaic to early Classical eras (510-450 BC). As the sole Spartan colony in Southern Italy, Tarentum (Taras) was a dominant economic and naval power. This coinage facilitated extensive trade across the Mediterranean, underpinning the city-state's prosperity and projecting its civic identity. The minting of substantial silver denominations like the didrachm underscores Tarentum's wealth and influence during this significant epoch.

Artistry: The design reflects the evolving artistic sensibilities of the period, transitioning from Archaic stiffness towards early Classical naturalism. While no individual engraver's name is known, the dies were crafted by highly skilled masters of the Tarentine mint. The obverse typically features Taras, the mythical founder, riding a dolphin, often holding an attribute, symbolizing the city's maritime power. The reverse commonly depicts a seated figure, frequently identified as Phalanthos, the oecist, or a similar heroic founder, embodying Tarentum's storied origins.

Technical/Grading: Struck on a broad silver flan weighing 7.96 grams, consistent with the didrachm standard, this coin exhibits characteristics typical of early Greek minting. High-points for the obverse include Taras's head and shoulder, and the dolphin's head. On the reverse, the seated figure's head and knees are usually prominent. Variability in strike quality is common, with some areas potentially exhibiting flatness or slight off-centring, yet the overall fabric and relief demonstrate the skilled craftsmanship of the period.

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