Nazarana Mohur - Umed Singh II
| Emitent | Princely state of Kotah (Indian princely states) |
|---|---|
| Rok | 1889-1935 |
| Typ | Non-circulating coin |
| Nominał | Mohur (15) |
| Waluta | Rupee |
| Skład | Gold |
| Waga | 10.9 g |
| Średnica | 24 mm |
| Grubość | |
| Kształt | Round |
| Technika | Milled |
| Orientacja | Medal alignment ↑↑ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | Fr#1272 |
| Opis awersu | Urdu legend citing Victoria |
|---|---|
| Pismo awersu | Urdu |
| Legenda awersu |
(Translation: Victoria, Queen of Great Britain and Empress of India) |
| Opis rewersu | Mint formula and RY date; flower and leaf symbols flanking RY; cross to right of sanat. |
| Pismo rewersu | Urdu |
| Legenda rewersu |
(Translation: Kotah urf Nandgaon mint) |
| Krawędź | |
| Mennica | |
| Nakład |
ND (1889-1935) - VS 1946-1992, RY 15 (Frozen) - |
| ID Numisquare | 1725636630 |
| Dodatkowe informacje |
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Historical Context: This Nazarana Mohur originates from the Princely State of Kotah during Maharao Umed Singh II's reign (1889-1935). A prominent Rajput state under British paramountcy, Kotah issued these "presentation" coins for ceremonial occasions like durbars or as gifts. Their limited mintage and superior quality distinguish them from regular circulation coinage, symbolizing the state's sovereignty and wealth within the British Raj.
Artistry: The gold Mohur (Fr#1272) adheres to the Indo-Mughal aesthetic common in Rajput states. While specific engravers are undocumented, the artistry reflects local mint masters' skill. Both sides feature elegant Persian (Urdu) calligraphy, detailing the ruler's name, titles, and mint, often with a Vikram Samvat date. The "Nazarana" designation emphasizes aesthetic perfection, with well-spaced legends and balanced composition.
Technical/Grading: Struck in 10.9 grams of gold (24 mm), this Nazarana Mohur exemplifies exceptional strike quality. Collectors should seek full detail on the intricate Persian legends, which are high points. The broad flan typical of Nazarana issues ensures excellent centering, often with proof-like fields and sharp, square rims. Minimal planchet imperfections and a strong strike across all devices are crucial for a high-grade specimen, reflecting its original ceremonial purpose.