Catalog
| Issuer | Leukai |
|---|---|
| Year | 380 BC - 360 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 2.97 g |
| Diameter | 17 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Winterthur 2#3056 |
| Obverse description | Laureate head of Apollo left. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Swan standing left with open wings; MYPMIAΣ to left. |
| Reverse script | Greek |
| Reverse lettering | MYPMIAΣ |
| Edge | |
| Mint | |
| Mintage |
ND (380 BC - 360 BC) - - |
| Numisquare ID | 3975709100 |
| Additional information |
Historical Context: This bronze issue, bearing the name Myrmias, was struck by Leukai in Mysia between 380 and 360 BC. During this post-Peloponnesian War period, many Greek cities in Asia Minor, while nominally under Achaemenid suzerainty, maintained significant local autonomy, including coining rights. Myrmias likely served as a prominent magistrate, his name on the coinage attesting to his authority and the city's independent economic administration. These Æ issues were crucial for daily transactions, reflecting Leukai's economic vitality and local identity.
Artistry: The specific engraver of this bronze coin remains anonymous, typical for municipal bronze issues of the era. Stylistically, it belongs to the late Classical Greek tradition, filtered through a regional Asia Minor lens. While bronze coinage rarely matched the intricate detail of contemporary silver, designs conveyed clear civic messages. Common obverse types depicted a local deity or nymph; the reverse likely featured a civic emblem or the magistrate's name, Myrmias, in clear script. The overall aesthetic was characterized by robust simplicity, suitable for utilitarian currency.
Technical/Grading: Weighing 2.97 grams and measuring 17 millimeters, this bronze coin from Leukai is typical in size and fabric for its period. Bronze flans were often less meticulously prepared than silver counterparts, leading to common irregularities such as minor off-centering or uneven strike pressure. High-points, depending on the design, would typically include elements like hair, facial features, or extremities of any depicted animal or symbol, often the first areas to show wear. Collectors should anticipate varying strike quality and potential for surface corrosion, common for ancient bronze, impacting detail retention.