カタログ
| 発行体 | Portugal |
|---|---|
| 年号 | 1139-1185 |
| 種類 | Standard circulation coin |
| 額面 | 1 Morabitino = 180 Dinheiros |
| 通貨 | Libra (1st Dynasty, 1128-1383) |
| 材質 | Gold (.953) |
| 重量 | 4.33 g |
| 直径 | 26 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Gomes#A1 08 |
| 表面の説明 | King on horseback right, holding scepter and brandishing a sword |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
REGIS PORTVGALENSIVM (Translation: King of the Portuguese (Not King of Portugal)) |
| 裏面の説明 | Cross composed of five shields, a 7-pointed star in 3 angles and the monetary letter B in the 4th |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | MONETA DOMINI.I.AFNSI |
| 縁 | |
| 鋳造所 |
B Braga, Portugal |
| 鋳造数 |
ND (1139-1185) B - - |
| Numisquare ID | 5198769370 |
| 追加情報 |
Historical Context: The Morabitino of Afonso I, minted 1139-1185, is a pivotal numismatic artifact from the nascent Kingdom of Portugal. Issued under Afonso Henriques, the nation's first king, this coin symbolizes Portugal's hard-won independence from León and Castile, and its emergence as a sovereign entity amidst the Reconquista. Minting gold at Braga underscored the kingdom's economic self-sufficiency and ambition to establish a distinct monetary identity, challenging prevailing currency systems.
Artistry: While the engraver is anonymous, the Morabitino's design reflects a fascinating blend of influences. Stylistically, it belongs to early medieval Iberian tradition, drawing from Almohad dinars, yet profoundly adapted for Christian assertion. The obverse typically features a prominent cross, often a cross patée, symbolizing the Christian faith. The reverse usually carries Latin inscriptions, proclaiming Afonso I's regnal title and invoking divine legitimacy, rendered in archaic, uncial script.
Technical/Grading: Struck from high-purity gold (.953) on a broad, thin flan, the Morabitino is a product of medieval hammered coinage. Consequently, technical strike qualities often vary significantly. High-points for preservation assessment include the center of the cross and clarity of legends. Ideal specimens exhibit a well-centered strike, full legible inscriptions, and an intact flan, which are exceedingly rare. Off-centering, irregular flan shapes, and weak strikes are common, making pieces with strong details highly prized.