カタログ
| 表面の説明 | Javanese inscription in three lines. Additional date in western Arabic numeral at top, mintmark at bottom. |
|---|---|
| 表面の文字体系 | Javanese |
| 表面の銘文 |
1814 ꦏꦼꦩ꧀ꦥ꧀ꦤꦶꦲꦶꦁꦒ꧀ꦭꦶꦱ꧀ ꦪꦱꦲꦶꦁꦱꦸꦫꦥꦿꦶꦁꦒ ꧑꧗꧔꧑ Z (Translation: English company, struck at Surapringga (Surabaya), 1741.) |
| 裏面の説明 | Arabic script, date |
| 裏面の文字体系 | Arabic |
| 裏面の銘文 |
هنگليس سك كمڤني ١٢٢٩ ضرب در جزيرە جاوا (Translation: English company year 1230 minted at the base in the Island of Java.) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1668 (1813) - AS1740 Z (error = AH1228); rare, 2 known - 1229 (1814) - AS1743 Z - |
| Numisquare ID | 2240019590 |
| 追加情報 |
Historical Context: This 1/2 Mohur coin was issued during the pivotal British Interregnum in Java (1811-1816), a direct consequence of the Napoleonic Wars in Europe. Sir Thomas Stamford Raffles, serving as Lieutenant-Governor, initiated a comprehensive reform of Java's chaotic currency system, aiming to supplant the disparate Dutch colonial issues. These gold Mohurs and their fractions represented a deliberate effort to establish a stable, British-backed currency, asserting the East India Company's authority and economic influence in the region during a period of significant geopolitical upheaval and transition.
Artistry: While no specific engraver is typically recorded, the artistry reflects a fascinating synthesis of European numismatic practice and local Javanese craftsmanship. The design invariably features Arabic (Jawi/Malay) script for the denomination and date, alongside elements indicating the issuing authority, which was the British East India Company. This blend aimed for local legibility and acceptance while conforming to British standards for precious metal coinage, a common stylistic approach for colonial issues seeking both indigenous and international recognition within the regional trade networks.
Technical/Grading: Struck from .750 fine gold on often irregularly shaped planchets, these coins frequently exhibit variable strike quality. High-points most susceptible to wear include the raised elements of the Arabic calligraphy, particularly the intricate flourishes and the outer legends. Collectors should examine for full detail on the central inscription and any decorative borders. Common technical flaws include off-center strikes, planchet imperfections, and weakness in the peripheral legends, all of which are critical factors in determining the grade and overall desirability of this historically significant issue.