目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central field features a large, boldly rendered bird motif — most likely a stylized eagle or similar raptor — depicted with spread wings and facing left, executed in a schematic hammered relief. The design is enclosed within a beaded or dotted circular border, partially visible along the lower edge of the flan. The field surrounding the bird is plain and unadorned. No inscriptions are present, in keeping with the anepigraphic nature of this copper mangir type. The flan exhibits the characteristic irregular shape and uneven surface typical of hand-hammered Ottoman copper coinage of the 15th–16th centuries. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | Anatolia |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Mangir were the fractional copper coins that greased the wheels of everyday Ottoman commerce — markets, baths, street vendors — while silver akçe dominated tax records and treasury accounts. Anepigraphic issues like this one, bearing no mint name or ruler's name, circulated across Anatolia without attribution to a specific reign, which is precisely why dating them remains contentious. The two-century window assigned here reflects genuine scholarly uncertainty rather than carelessness.
Copper coinage was technically beneath the dignity of Ottoman fiscal policy, often farmed out to local contractors whose quality control varied wildly.