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| 表面の説明 | Central effigy of Daikoku, the deity of wealth and good fortune, depicted in relief in a bold, stylized hammered design. The figure is shown in a frontal seated posture, surrounded by characteristic iconographic elements including a mallet and sacks of rice, rendered in the Japanese artistic tradition of the Bunsei era. A single Japanese character appearing in the field to the left identifies this issue as belonging to the Bunsei period (文政, 1818–1830). The overall composition occupies the full flan, consistent with the irregular bean-shaped format of mameitagin coinage. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | 寳 (Translation: Treasure) |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Mameitagin — literally "bean-shaped silver" — were produced at the Ginza mints as an explicitly weighed currency, their irregular form a deliberate artifact of hand-cutting rather than any lapse in quality control. The Bunsei era issues followed a significant debasement: the Bunsei Mameitagin dropped silver fineness sharply from the preceding Bunka pieces, part of the Tokugawa shogunate's repeated attempts to manage chronic fiscal deficits by quietly degrading the coinage. Merchants quickly noticed and adjusted their exchange rates accordingly.
The "Large 寳" designation distinguishes this by the size of the stamped character — a die classification, not a denomination difference.