Catalog
| Issuer | Silerae (Sicily) |
|---|---|
| Year | 354 BC - 344 BC |
| Type | Standard circulation coin |
| Value | 1 Litra |
| Currency | Litra |
| Composition | Bronze |
| Weight | 27.99 g |
| Diameter | 28 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | CNS#1 , Campana#1 , HGC 2#1242 , BMC Greek#1 , SNG Copenhagen#607 , SNG Munich 6#899 |
| Obverse description | Forepart of man-headed bull left. |
|---|---|
| Obverse script | Greek |
| Obverse lettering | ΣIΛEPAIΩN |
| Reverse description | Warrior advancing right, holding shield and spear. |
| Reverse script | Greek |
| Reverse lettering | ΣIΛ |
| Edge | |
| Mint | |
| Mintage |
ND (354 BC - 344 BC) - - |
| Numisquare ID | 7000351380 |
| Additional information |
Historical Context: This Æ Litra, issued by Silerae in Sicily (354-344 BC), dates to a period of flux after Dionysius II's tyranny. Smaller poleis like Silerae asserted autonomy amidst Carthaginian and Syracusan influence. Issuing substantial bronze coinage fulfilled local economic needs, providing essential currency for daily transactions, distinct from larger silver denominations. This coin records Silerae's independent economic function during a decade of self-governance.
Artistry: While specific engravers are unrecorded for Silerae's bronze, its artistry reflects the broader Sicilian Greek numismatic tradition of the Classical to early Hellenistic period. This school is known for robust, often detailed designs, even on utilitarian bronze. Common Litra motifs likely featured a prominent deity or nymph on the obverse, embodying a local cult, paired with a relevant symbol or animal on the reverse. The aesthetic prioritized clear legibility and strong relief, designed for extensive circulation.
Technical/Grading: Weighing 27.99 grams with a 28 millimeter diameter, this Æ Litra is a significant bronze denomination. Ancient bronze coins often show strike variations. High-points prone to wear typically include highest relief areas of portraiture (hair, nose) and prominent reverse design features. Planchet irregularities, like slight off-centering or casting flaws, are common. A well-struck example exhibits a strong, centered impression with clear details, indicating careful flan preparation.