Katalog
| Emittent | City of Solothurn |
|---|---|
| Jahr | 1401-1500 |
| Typ | Standard circulation coin |
| Nennwert | 1 Kreuzer (1⁄68) |
| Währung | Guldiner (15th century-1579) |
| Material | Silver |
| Gewicht | 0.91 g |
| Durchmesser | 17 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | HMZ 2#2-817b, SMK7 Slt#24 |
| Aversbeschreibung | Shield within trefoil. |
|---|---|
| Aversschrift | Latin (uncial) |
| Averslegende |
MONET SOLODOREN (Translation: Money of Solothurn) |
| Reversbeschreibung | Cross over X in circle. |
| Reversschrift | Latin (uncial) |
| Reverslegende |
SAN CTV S·VR SUS (Translation: Saint Ursus) |
| Rand | |
| Prägestätte | |
| Auflage |
ND (1401-1500) - - |
| Numisquare-ID | 9085534640 |
| Zusätzliche Informationen |
Historical Context: This Kreuzer, issued by the City of Solothurn between 1401 and 1500, reflects a pivotal era for Swiss urban centers. During this period, Solothurn solidified its status as a Free Imperial City, eventually joining the Swiss Confederacy in 1481. The minting of its own coinage, such as this silver Kreuzer, was a powerful assertion of its burgeoning sovereignty and economic independence, crucial for regional trade and fiscal administration amidst the complex political landscape of the late Holy Roman Empire.
Artistry: The anonymous engraver of this Kreuzer worked within the prevailing late Gothic stylistic tradition. Designs from this era prioritize clarity and heraldic symbolism over naturalistic detail, a necessity given the coin's small flan (17mm). Typical designs for Solothurn would feature the city's coat of arms, often a shield with a red and white field, or a depiction of its patron saint, St. Ursus. The execution would be direct, focusing on legible motifs rather than intricate ornamentation.
Technical/Grading: As a thin silver coin (0.91 gg, 17 mm), the technical strike quality of this Kreuzer often varies. High points for wear or strike weakness typically include the central design elements, such as the saint's facial features or the raised lines of the city shield, and the outermost portions of the legend. Flans were hand-prepared, frequently exhibiting irregular shapes or minor planchet defects. Off-center strikes and partial legends are common, impacting overall visual appeal and grade.