カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Tsar on horseback galloping to the right, wielding a spear in the manner of St. George; the rider's effigy conventionally represents the reigning sovereign. The date in Old Church Slavonic Cyrillic numerals appears beneath the horse's hooves in the lower field. The design is characteristic of the wire-money (chekha) tradition, struck on a small, irregularly shaped planchet with bold but slightly crude relief. |
|---|---|
| 表面の文字体系 | Cyrillic |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Peter I introduced wire-money kopecks — hammered from silver rod stock and struck between crude dies — as a transitional holdover while his broader monetary reform was still underway. By 1703 he had already begun planning the milled coinage that would replace them entirely by 1718, making these late wire kopecks something of an administrative anachronism: a medieval technique being tolerated by a tsar actively dismantling medieval Russia. The Moscow mint produced them alongside the new round coinage simultaneously for several years.
The wire flan process, inherited from 15th-century practice, produced irregular slivers of silver that wearied in pockets almost immediately and were notoriously easy to clip without detection.