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Kopeck - Alexey Mikhailovich о М
| Uitgever | Russian Empire |
|---|---|
| Jaar | 1645-1650 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Hammered (wire) |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse bears a multi-line Cyrillic inscription arranged in horizontal rows across the entire field, containing the full titles of Tsar Alexey Mikhailovich in Old Russian. The legend reads ЦАРЬ И ВЕЛИКИЙ КНЯЗЬ АЛЕКСЕЙ МИХАЙЛОВИЧ ВСЕЯ РУСИ, meaning 'Tsar and Grand Prince Alexey Mikhailovich of all Rus.' The lettering is executed in a compressed, archaic Cyrillic style characteristic of mid-17th century Russian hammered coinage, and due to the small flan size, only a portion of the full legend is typically visible on any given specimen. No border or decorative elements frame the inscription. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Moscow Mint |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Alexey Mikhailovich inherited the throne at sixteen and immediately faced the Solyany Bunt — the Salt Riot of 1648 — a fiscal revolt triggered in part by his government's punishing indirect taxes. The wire-cut kopeck he issued in these years was itself a product of that same strained treasury, struck by hand on irregular silver slugs clipped from imported wire, a technique unchanged since Ivan the Terrible. Each piece is unique in outline, a consequence of the method rather than any mint eccentricity.