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| Issuer | Koenig & Bauer (KBA-NotaSys) |
|---|---|
| Year | |
| Type | Log in to see details |
| Value | Log in to see details |
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| Composition | Log in to see details |
| Size | 160 x 80 mm |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | The reverse carries the 'Around the World in 80 Days' theme, dominated by a tall vignette of the Elizabeth Tower (Big Ben) rendered in deep blue guilloche linework. A second circular transparent window at upper right repeats the Verne portrait, while a star-shaped colour-shifting security patch occupies centre field. An ocean liner and harbour scene fill the lower register, with a serial number in red at bottom centre. |
| Reverse lettering | 80 |
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| Comments |
KBA-NotaSys produced this polymer promotional piece as part of their Jules Verne-themed showcase note, designed purely to demonstrate the security printing capabilities available to central bank clients — it was never legal tender anywhere. The Jules Verne theme was a deliberate choice: Verne's preoccupation with technology and the future mapped neatly onto a sales pitch about what polymer substrate printing could do that cotton-linen could not.
KBA-NotaSys developed their polymer banknote platform in competition with Note Printing Australia's established Guardian substrate, and demonstration notes like this one were central to that commercial effort. The colour-shifting element and transparent window are essentially a live product brochure.