Katalog
| İhraççı | Ghurids of Bamiyan (Ghurid dynasty) |
|---|---|
| Yıl | 1192-1206 |
| Tür | Standard circulation coin |
| Değer | 1 Jital (0.7) |
| Para birimi | Dinar (628/632-1598) |
| Bileşim | Billon |
| Ağırlık | 2.7 g |
| Çap | |
| Kalınlık | 16 mm |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Tye#157, Album Islamic#1805.1 |
| Ön yüz açıklaması | Two line inscription with decorations at top and bottom. |
|---|---|
| Ön yüz yazısı | Arabic |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Four line inscription, beaded border surrounding. |
| Arka yüz yazısı | Arabic |
| Arka yüz lejandı | |
| Kenar | Plain |
| Darphane | Balkh, Afghanistan |
| Basma adedi | ND (1192-1206) |
| Numisquare Kimliği | 3507004200 |
| Ek bilgiler |
Historical Context: This Jital was issued by Baha' al-Din Sam I (1192-1206), a Ghurid ruler of Bamiyan, governing eastern territories including the vital city of Balkh. During his reign, the Ghurid dynasty reached its zenith, expanding its influence across Afghanistan and into Northern India, though internal dynastic struggles and the rising power of the Khwarezmids presented ongoing challenges. This coin evidences Ghurid authority and economic activity in a key regional center during a period of geopolitical transition.
Artistry: The engraver of this Jital is anonymous, typical for medieval Islamic coinage. Stylistically, it adheres to the prevalent Perso-Islamic epigraphic tradition of the Ghurids, eschewing figural representations for elegant Arabic calligraphy. The design typically features the ruler's name and titles on the obverse, possibly accompanied by religious declarations or mint information on the reverse, rendered in clear, though sometimes simplified, Naskh script. The overall aesthetic emphasizes legibility and the assertion of Islamic sovereignty.
Technical/Grading: Struck in billon, a debased silver alloy, this Jital weighs approximately 2.7 grams, consistent with the standard for the type. For grading, key high-points are the central portions of the Arabic legends, where raised script elements show earliest wear. Examples vary from full, well-centered strikes with clear legends, to characteristic off-centering, weakness, or minor planchet irregularities common to mass-produced medieval coinage.