Каталог
| Эмитент | Khwarazmian Empire (Khwarazmian dynasties) |
|---|---|
| Год | 1200-1220 |
| Тип | Standard circulation coin |
| Номинал | 1 Jital (1⁄50) |
| Валюта | Jital (1077-1231) |
| Состав | Bronze |
| Вес | 3 g |
| Диаметр | 15 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | Variable alignment ↺ |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Tye#212.2, Album Islamic#1734.1 |
| Описание аверса | Horseman left |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | Plain |
| Монетный двор | |
| Тираж | ND (1200-1220) |
| ID Numisquare | 5791601059 |
| Дополнительная информация |
Historical Context: This bronze Jital, issued by the Khwarazmian Empire (1200-1220), pertains to the reign of ‘Ala al-din Muhammad II. This era marked the empire's vast expansion across Central Asia and Persia, often at Ghurid expense. The "Ghor horseman" designation reflects its imitation of Ghurid coinage, likely indicating Khwarazmian consolidation of newly acquired territories. This coin circulated during a critical juncture, immediately preceding the Mongol invasions, representing a zenith of Khwarazmian power and regional numismatic assimilation.
Artistry: While no specific engraver is known, the design exemplifies the Central Asian Islamic stylistic school, heavily influenced by earlier Ghurid traditions. The obverse prominently displays the dynamic horseman motif, a powerful symbol of martial prowess and sovereignty common in the region. The reverse typically features the ruler's name and titles, often alongside religious legends in elegant Arabic script, reflecting the era's cultural and political aspirations on a utilitarian bronze medium.
Technical/Grading: Measuring 15mm and weighing 3 grams, this bronze Jital is characteristic of a widely circulated, practical currency. Key high-points susceptible to wear include the horseman's head, torso, and the horse's head and forelegs. Strike quality on these issues can vary; well-centered examples with clear details are prized. However, due to rapid production and the bronze alloy, off-center strikes or areas of flatness, particularly on flan edges and finer inscription details, are common.