Danh mục
| Đơn vị phát hành | Khwarazmian Empire (Khwarazmian dynasties) |
|---|---|
| Năm | 1200-1220 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Jital (1⁄50) |
| Tiền tệ | Jital (1077-1231) |
| Chất liệu | Bronze |
| Trọng lượng | 3 g |
| Đường kính | 16 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Variable alignment ↺ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | Tye#285 Islamic#1727A cat#12237 |
| Mô tả mặt trước | Three line inscription in circle; beaded border. |
|---|---|
| Chữ viết mặt trước | Arabic |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Inscription in circle; beaded border. |
| Chữ viết mặt sau | Arabic |
| Chữ khắc mặt sau | |
| Cạnh | Plain |
| Xưởng đúc | |
| Số lượng đúc |
ND (1200-1220) - - |
| ID Numisquare | 3290363060 |
| Thông tin bổ sung |
Historical Context: This bronze jital was issued during the reign of ‘Ala al-din Muhammad II (1200-1220), a pivotal period for the Khwarazmian Empire. At its zenith, the empire controlled vast territories across Central Asia and Persia, making it a dominant power in the Islamic world. These jitals served as essential small change, facilitating commerce across its expansive domains just prior to the devastating Mongol invasions, marking the twilight of Khwarazmian grandeur and the dramatic reshaping of the region.
Artistry: Typical of Islamic coinage from this era, the jital’s artistry is primarily epigraphic. While the specific engraver remains anonymous, the design adheres to the prevailing stylistic school emphasizing elegant Arabic calligraphy. The obverse and reverse likely feature the ruler's name, honorifics, and possibly religious declarations, rendered in a form of Kufic or Naskh script. The utilitarian bronze medium reflects its function as widespread currency rather than a canvas for elaborate figural art or intricate decorative motifs.
Technical/Grading: Struck in bronze with dimensions of 16mm and a weight of 3 grams, this jital often exhibits characteristics of mass production. High-points for wear or strike quality would typically be observed on the central lines of the calligraphic legends, where the dies would make the strongest impression. Strike quality can vary significantly, with examples ranging from well-centered and fully legible to slightly off-center or weakly struck in parts, particularly along the flan's edge, reflecting the practicalities of minting small denomination coinage.