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Irregular AE - Demetrius I Type 3
| Emittent | Georgia, Kingdom of (1010-1490) |
|---|---|
| Jahr | 1136-1152 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | 23 mm |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Central field features the Asomtavruli letter Ⴃ (initial of King Demetre's name), enclosed within a double circle. Arabic legend surrounds the central letter in four directions — above, below, to the right, and to the left — forming a bilingual Georgian-Arabic inscription. The entire design is further enclosed by an ornamental border of decorative elements. The overall composition reflects the mixed cultural and political symbolism characteristic of medieval Georgian royal coinage. |
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| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | ملك الملوك المسيح Ⴃ حسام دیمطرى (Translation: King of kings, Sword of the Messiah, D[emetre]) |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Demetrius I ruled Georgia during a period of consolidation following David the Builder's sweeping military campaigns, and these copper issues were struck while the kingdom managed the administration of recently recovered territories including Tbilisi, retaken from Muslim control in 1122. The "irregular" designation in modern catalogs reflects genuine inconsistency in flan preparation and die alignment across the series — not degradation, but a minting practice characteristic of the Georgian royal workshop in this period.