Hemiobol Babylon

Émetteur Babylon, Satrapy of
Année 328 BC - 311 BC
Type Standard circulation coin
Valeur Hemiobol (1⁄12)
Devise Drachm (330-305 BC)
Composition Silver
Poids 0.47 g
Diamètre 7.74 mm
Épaisseur
Forme Round (irregular)
Technique Hammered
Orientation Variable alignment ↺
Graveur(s)
En circulation jusqu’à
Référence(s) BMC Greek#14-16
Description de l’avers Baaltars seated left, holding scepter in his right hand and placing his left on throne.
Écriture de l’avers
Légende de l’avers
Description du revers Lion walking to left, spearhead to left above.
Écriture du revers
Légende du revers
Tranche
Atelier
Tirage ND (328 BC - 311 BC) - -
ID Numisquare 1356584510
Informations supplémentaires

Historical Context: This silver hemiobol originates from the Satrapy of Babylon during the tumultuous early Diadochi period (328-311 BC). Following Alexander the Great's death, Babylon, a vital economic hub, became a contested prize among his generals. Its issuance reflects the ongoing need for a stable monetary system by the various satrapal administrations, initially under governors like Peithon and later Antigonus I Monophthalmus, even as political sovereignty remained fluid before the definitive establishment of the Seleucid Empire.

Artistry: While the engraver remains anonymous, typical for fractional denominations, the coin exhibits early Hellenistic artistry. Its design, likely a deity's head on the obverse and a local symbol or animal on the reverse (per BMC Greek#14-16), blended traditional Mesopotamian iconography with nascent Greek stylistic conventions. The execution, constrained by the coin's diminutive size, aimed to convey authority and cultural identity, reflecting post-Alexandrian Mesopotamia's syncretic artistic environment.

Technical/Grading: Struck in silver, weighing 0.47 grams and measuring 7.74 millimeters, this hemiobol is a significant fractional denomination. High-points susceptible to wear include prominent features of any portrait or raised elements of a reverse device. Due to the small flan, strikes are frequently off-center, leading to partial designs. The overall fabric can exhibit minor irregularities; dies, though competently cut, often show less intricate detail than larger issues, making a well-centered, fully struck example particularly desirable.

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