Katalog
| Emitent | Sagalassos (Pisidia) |
|---|---|
| Rok | 50 BC - 1 BC |
| Typ | Standard circulation coin |
| Nominał | Hemiobol (1⁄12) |
| Waluta | Drachm |
| Skład | Silver |
| Waga | 0.44 g |
| Średnica | 10 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Variable alignment ↺ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | SNG Kayhan#1057 |
| Opis awersu | Head of Herakles right, wearing lion skin. |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Nike advancing right, holding wreath. |
| Pismo rewersu | Greek |
| Legenda rewersu | ΣΑ |
| Krawędź | |
| Mennica | |
| Nakład |
ND (50 BC - 1 BC) - - |
| ID Numisquare | 8744333580 |
| Dodatkowe informacje |
Historical Context: Sagalassos, a prominent Pisidian city, issued this silver hemiobol (50 BC - 1 BC) during a pivotal era: the twilight of the Hellenistic world and firm Roman hegemony in Anatolia. Sagalassos retained civic autonomy and vibrant Hellenistic culture, yet its strategic importance placed it under Roman provincial administration, likely within Galatia-Pisidia. Continued local silver fractional coinage underscores the city's economic vitality and need for localized currency for daily transactions, even as Roman influence grew.
Artistry: The artistry of this hemiobol, constrained by its diminutive 10 mm size, reflects late Hellenistic stylistic traditions prevalent in Pisidia. No specific engraver is identifiable; local workshops likely cut the dies, striving to imbue the small flan with recognizable civic iconography. Typical Sagalassian motifs, such as Zeus or Tyche, would have been rendered simply yet robustly. The engraver's challenge was maintaining clarity and symbolic resonance within such a limited canvas, often resulting in a direct, impactful, less intricate design.
Technical/Grading: This 0.44 gram silver hemiobol exemplifies technical challenges inherent in striking small-denomination ancient coinage. High-points susceptible to wear typically include the highest relief elements of the obverse portrait or reverse device: hair, facial features, or specific symbolic details. Strike quality varies; small flans often exhibit irregular shapes, off-center strikes, or incomplete impressions. A