Hemidrachm Patrai

発行体 Achaean League (Achaia)
年号 88 BC - 30 BC
種類 Standard circulation coin
額面 Hemidrachm (1/2)
通貨 Drachm
材質 Silver
重量 2.41 g
直径 17 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 Peloponnesos#507 , Benner#39
表面の説明 Laureate head of Zeus to right.
表面の文字体系
表面の銘文
裏面の説明 League monogram, dolphin below, all within wreath.
裏面の文字体系 Greek
裏面の銘文 EY A ΠA
鋳造所
鋳造数 ND (88 BC - 30 BC) - -
Numisquare ID 4284855430
追加情報

Historical Context: This silver hemidrachm from Patrai belongs to the later issues of the Achaean League, struck between 88 BC and 30 BC. While the League's independence was largely curtailed after its defeat by Rome in 146 BC, certain cities like Patrai retained the privilege of issuing coinage, often continuing traditional types. This period falls within the late Roman Republic and early Principate, indicating Patrai's continued economic activity and a degree of local autonomy under Roman oversight, or a symbolic continuation of League identity even as Roman power solidified its grip on Greece.

Artistry: Typical Achaean League coinage, and thus likely this Patrai issue, adheres to the Hellenistic stylistic tradition, characterized by classical forms and idealized representations. While no specific engraver is identifiable, the dies were produced by skilled artisans. The obverse commonly features the head of Zeus Homarios, patron deity of the League, often depicted with a laurel wreath. The reverse typically displays the Achaean League monogram (AX), often within a wreath, accompanied by a local symbol specific to Patrai and possibly the city's ethnic.

Technical/Grading: Struck on a silver flan weighing 2.41 grams and measuring 17 mm, this hemidrachm represents a standard denomination. High points prone to wear would include the highest strands of Zeus's hair and beard on the obverse, and the central bars of the Achaean monogram on the reverse. Technical strike qualities often vary; well-struck examples exhibit sharp details, centered dies, and a full rendition of both obverse and reverse designs, while less careful strikes might show off-center motifs or areas of flatness.

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