カタログ
| 発行体 | Kings of Cappadokia |
|---|---|
| 年号 | 4-5 |
| 種類 | Standard circulation coin |
| 額面 | Hemidrachm (1/2) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 2.00 g |
| 直径 | 15 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | I#3608 , Simonetta#8 |
| 表面の説明 | Head of Heracles with lion skin round neck, right. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Mount Argaios; M (date) to left. |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΒΑΣΙΛΕΩΣ ΑΡΧΕΛΑΟΥ M |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (4-5) - RY 40 - |
| Numisquare ID | 5668568130 |
| 追加情報 |
Historical Context: This Hemidrachm, dated AD 4-5, was issued late in the reign of Archelaus, the last client king of Cappadocia. Appointed by Mark Antony and confirmed by Augustus, Archelaus ruled a strategically vital kingdom for over five decades. His coinage reflects the delicate balance of local autonomy under Roman suzerainty. Issued from Caesarea Mazaca, these silver denominations facilitated regional commerce, integrating Cappadocia into the Roman imperial system before its annexation in AD 17.
Artistry: The artistry of this Hemidrachm, from an unknown engraver, adheres to the Hellenistic stylistic tradition common in Eastern Roman provinces. Obverse designs typically feature a finely rendered portrait of King Archelaus, often laureate, blending Greek royal iconography with Roman imperial dignity. The reverse commonly depicts a local deity or a symbol of Caesarea, such as Mount Argaeus, emphasizing the city's importance and indigenous identity. The small flan often requires a compact, detailed composition.
Technical/Grading: Struck in silver to 2.00 grams and 15 mm, this Hemidrachm was a common circulating denomination. High-points for wear or strike weakness on the obverse typically include the king's hair, nose, and chin. On the reverse, details like Mount Argaeus's peak or deity attributes often exhibit flatness. The small planchet frequently results in off-flan design elements. Overall strike quality varies, with central details often stronger than peripheral ones.