Каталог
| Эмитент | Kydonia |
|---|---|
| Год | 450 BC - 330 BC |
| Тип | Standard circulation coin |
| Номинал | Hemidrachm (1/2) |
| Валюта | Drachm |
| Состав | Silver |
| Вес | 2.44 g |
| Диаметр | 13.0 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered, Incuse |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | SNG Copenhagen#402 |
| Описание аверса | ‘Rectangular’ tortoise seen from above |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Incuse square with skew divisions. Crescent in one compartment |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (450 BC - 330 BC) - - |
| ID Numisquare | 9767275640 |
| Дополнительная информация |
Historical Context: This silver hemidrachm was issued by Kydonia, a prominent city-state on the island of Crete, during the Classical period, spanning approximately 450 to 330 BC. This era marked a period of significant autonomy and economic prosperity for Kydonia, which asserted its independence through a distinctive coinage. The production of fractional silver denominations like the hemidrachm (one-half drachm) highlights the city's active participation in regional trade and its need for coinage suitable for daily commercial transactions within its sphere of influence.
Artistry: The artistry of this hemidrachm aligns with the prevailing Early to High Classical Greek stylistic schools, characterized by a pursuit of naturalism and idealized forms. While the engraver remains anonymous, typical Kydonian hemidrachms of this period often feature a finely rendered head on the obverse, frequently a nymph or the god Apollo, depicted with graceful contours and meticulously styled hair. The reverse commonly displays the Kydonian apple, a civic emblem, or a figure of the city's eponymous hero, Kydon, executed with careful attention to detail despite the coin's small module.
Technical/Grading: This silver hemidrachm, weighing 2.44 grams and measuring 13.0 millimeters, represents a standard specification for the type. Critical high-points susceptible to wear include the highest relief areas of the obverse portrait, such as the hair, forehead, and nose, as well as the central elements of the reverse device. Technical strike qualities vary; well-preserved examples exhibit a strong, even strike with full design elements centered on a round flan. Conversely, less desirable specimens may show evidence of an off-center strike, die wear resulting in flatness, or minor flan imperfections.