Hemidrachm

発行体 Messene
年号 35 BC
種類 Standard circulation coin
額面 Hemidrachm (1/2)
通貨 Drachm
材質 Silver
重量 2.31 g
直径 15.0 mm
厚さ
形状 Round (irregular)
製造技法 Hammered
向き
彫刻師
流通終了年
参考文献 SNG Copenhagen#507, BCD Peloponnesos#753-755
表面の説明 Head of Zeus facing left, wearing diadem and all in beaded ring
表面の文字体系
表面の銘文
裏面の説明 Tripod in the middle with the letters ME Σ across field. The name of te magistrate divided by the tripod and in to lines. All within wreath
裏面の文字体系 Greek
裏面の銘文 ΜΕ Σ ΠΟ ΛΥ ΚΛ ΗΣ
鋳造所
鋳造数 ND (-35) - -
Numisquare ID 8533543140
追加情報

Historical Context: This silver hemidrachm, struck in Messene around 35 BC, originates from a pivotal moment in the Peloponnese, deeply intertwined with the tumultuous late Roman Republic and its civil wars. As a free city under Roman suzerainty, Messene retained its civic autonomy, including the vital right to mint coinage for local commerce. This era, dominated by the Triumvirs, compelled Greek cities to navigate complex political landscapes. Denominations like this hemidrachm served to support their internal economies and civic functions amidst broader regional instability, reflecting a continuous, albeit sometimes precarious, independent existence.

Artistry: The obverse of this issue typically presents a laureate head of Zeus, likely Zeus Ithomatas, Messene's revered patron deity, rendered in a late Hellenistic stylistic idiom. While no specific engraver is identifiable, the design generally exhibits the naturalistic tendencies characteristic of the period, often with a provincial yet competent execution. The reverse features a tripod, a potent religious symbol, encircled by the ethnic legend MEΣΣA-N-IΩN. This consistent iconography firmly anchors the coin within Messene's traditional religious and civic identity, showcasing a continuity of local artistic and symbolic expression.

Technical/Grading: Struck on a 15.0 mm silver flan weighing 2.31 gg, this hemidrachm adheres to standard specifications for the denomination. Key high-points susceptible to wear or a weaker strike include the hair and laurel wreath on Zeus's head, and the top ring and legs of the tripod on the reverse. A well-preserved example would boast a full, centered strike, sharp details on Zeus's facial features, and clear, legible legends. Minor off-centering or some flatness on the highest relief areas are not uncommon for provincial issues of this small denomination and period.

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