کاتالوگ
| صادرکننده | Uncertain Cretan city |
|---|---|
| سال | 400 BC - 200 BC |
| نوع | Standard circulation coin |
| ارزش | Hemidrachm (1/2) |
| واحد پول | Drachm |
| ترکیب | Silver |
| وزن | 2.79 g |
| قطر | 14.0 mm |
| ضخامت | |
| شکل | Round (irregular) |
| تکنیک | Hammered |
| جهت | |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) |
| توضیحات روی سکه | Head of female facing left |
|---|---|
| خط روی سکه | |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Head of bull facing right, slightly turned facing |
| خط پشت سکه | |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
ND (400 BC - 200 BC) - - |
| شناسه Numisquare | 8011858940 |
| اطلاعات تکمیلی |
Historical Context: This silver hemidrachm originates from an uncertain Cretan city-state, minted between 400 and 200 BC, a period spanning the late Classical to early Hellenistic eras. During this time, Crete was a politically fragmented island of autonomous poleis, often engaged in alliances or conflicts. No single ruler dominated; cities maintained sovereignty through independent coinage, crucial for local commerce, mercenary payments—Crete was renowned for its archers—and asserting civic identity. The anonymity of the issuing authority underscores the localized nature of these economic systems.
Artistry: The specific engraver remains anonymous, common for ancient Greek coinage. Stylistically, it belongs to the broader Greek artistic tradition, exhibiting refined craftsmanship typical of Classical and early Hellenistic periods, adapted with local Cretan interpretations. While iconography is unspecified, Cretan issues frequently depicted local deities like Zeus, Europa, or Minos, often alongside symbols such as eagles, bees, or the Minotaur, reflecting the island's rich mythological heritage. Dies were meticulously cut, balancing detail and symbolic clarity.
Technical/Grading: Weighing 2.79 grams and measuring 14.0 millimeters, this silver hemidrachm represents a fractional denomination vital for daily transactions. Strike quality typically varies; while dies display fine artistry, execution ranged from well-centered, sharp impressions to off-center strikes with minor flan irregularities. High-points of the design, such as facial features or intricate details, are often the first to show wear. The silver composition is generally of high purity, reflecting economic standards, though surface preservation is influenced by burial conditions.