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| 正面描述 | Draped bust of a youthful deity facing right, hair elaborately arranged and adorned with a laurel wreath, a tendril or floral spray visible at the neck. The legend ΟΜΟΝΟΙΑ (Homonoia, meaning Concord) runs along the right field in Greek characters. The style is characteristic of late Classical Sicilian engraving, with fine modelling of facial features and hair. The flan is irregular, as typical of hammered issues of this period. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | Greek |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Kimissa was a minor city in ancient Thrace whose coinage output was extremely limited, placing this hemidrachm among the rarer civic issues of the northern Aegean region. The dating — roughly 339 to 336 BC — places production squarely within the period of Philip II of Macedon's aggressive consolidation of Thrace, culminating in his campaigns that effectively ended meaningful autonomy for many communities in the region. Whether Kimissa ceased minting due to Macedonian absorption or simple economic collapse is unresolved in the scholarship.
The Jameson reference remains one of the few published citations for this type.