Catalog
| Issuer | Bargylia (Caria) |
|---|---|
| Year | 180 BC - 140 BC |
| Type | Standard circulation coin |
| Value | Hemidrachm (1/2) |
| Currency | Attic drachm |
| Composition | Silver |
| Weight | 2.16 g |
| Diameter | 15 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HN Online#454 , SNG von Aulock#8075 |
| Obverse description | Veiled head of Artemis Kindyas right, hair in knot; dotted border. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Stag standing right on groundline; above and below stag, monograms; dotted border. |
| Reverse script | Greek |
| Reverse lettering | ΒΑΡΓΥ ΛΙNTΩΝ |
| Edge | |
| Mint | |
| Mintage |
ND (180 BC - 140 BC) - - |
| Numisquare ID | 4639279540 |
| Additional information |
Historical Context: This silver hemidrachm, struck by Bargylia in Caria between 180 and 140 BC, reflects a complex Hellenistic period. Bargylia, a coastal city, navigated shifting regional influences, including Rhodes and the rising Roman Republic. Its continued coinage issuance underscores civic autonomy and economic vitality. This coin served as a tangible expression of Bargylian identity and a medium for local commerce, reflecting the city's strategic importance and its enduring cultural connection to Artemis Kindyas.
Artistry: The artistry of this hemidrachm exemplifies the Hellenistic stylistic school prevalent in Asia Minor. While the engraver is anonymous, the obverse typically features a finely rendered head, often Artemis Kindyas, Bargylia's patron goddess. The reverse design would display an associated emblem or full-figure representation, executed with classical refinement and emerging naturalism. These designs were potent symbols of civic identity, religious devotion, and Bargylia's cultural place within the Hellenistic world.
Technical/Grading: Struck in silver, this hemidrachm measures 15 millimeters and weighs 2.16 grams. Optimal grading prioritizes a strong, well-centered strike, ensuring full detail on both sides. Key high-points for evaluation include the obverse portrait's hair, facial features, and diadem, alongside the reverse's emblem clarity or figure's anatomy. A sharp strike on a well-formed flan, free from significant die wear or planchet defects, signifies exceptional technical quality, preserving the intricate work of the ancient die-cutter.