カタログ
| 発行体 | Lakedaimon |
|---|---|
| 年号 | 85 BC |
| 種類 | Standard circulation coin |
| 額面 | Hemidrachm (1/2) |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 2.47 g |
| 直径 | 14.0 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | BCD Peloponnesos#865.2 |
| 表面の説明 | Laureate head of Zeus facing right |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Monogram of the Achaian League with the pilei of the Dioskouroi flanking, monograms above and below and all within wreath |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (-85) - - |
| Numisquare ID | 4309967010 |
| 追加情報 |
Historical Context: This silver hemidrachm, issued by Lakedaimon (Sparta) in 85 BC, originates from a complex period in Greek history. By this time, Sparta, though retaining a semblance of autonomy, operated firmly within the sphere of Roman influence, having been an ally or client state since the Achaean War. The issuance of silver coinage underscores Sparta's continued civic identity and economic agency, even as the broader Hellenistic world transitioned towards Roman provincialization. Such fractional denominations were vital for daily commerce in a city striving to maintain its cultural heritage amidst external pressures.
Artistry: While no specific engraver is identifiable, the coin exemplifies the Late Hellenistic stylistic school, often characterized by a blend of traditional iconography and evolving realism. The obverse typically features a laureate head of Zeus or a heroic figure like Herakles, rendered with a degree of classical dignity. The reverse frequently displays an iconic Spartan emblem, such as an eagle with spread wings or a club, often accompanied by the L-A monogram or the full ethnic LAKEDAIMONION. The artistic execution, though sometimes simplified for small flans, aimed to convey civic pride and continuity.
Technical/Grading: Weighing 2.47 grams and measuring 14.0 millimeters, this hemidrachm is a modest silver denomination. For optimal grading, one would seek a strong, centered strike, ensuring full detail on the high-points of both obverse and reverse designs. On a typical obverse head, these include the hair, forehead, and chin. For a reverse eagle, the wings and body musculature are critical. Common strike issues for such small, late Hellenistic issues include slight off-centering or minor flan imperfections, which can obscure peripheral legends or devices.