Katalog
| Emittent | Rhaukos |
|---|---|
| Jahr | 300 BC - 270 BC |
| Typ | Standard circulation coin |
| Nennwert | Hemidrachm (1/2) |
| Währung | Drachm |
| Material | Silver |
| Gewicht | 2.16 g |
| Durchmesser | 16 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Variable alignment ↺ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | SvoronosCr#24, SNG Copenhagen#553 |
| Aversbeschreibung | Laureate head of Poseidon left; trident over shoulder. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Two dolphins left. |
| Reversschrift | Greek |
| Reverslegende | PAYKION |
| Rand | |
| Prägestätte | |
| Auflage |
ND (300 BC - 270 BC) - - |
| Numisquare-ID | 4229993930 |
| Zusätzliche Informationen |
Historical Context: This silver hemidrachm, issued between 300 and 270 BC, belongs to the coinage of Rhaukos, a local ruler or dynast likely associated with a Cretan city-state during the early Hellenistic period. Following Alexander the Great's empire dissolution, Crete experienced a complex political landscape of autonomous city-states and shifting alliances. Coinage under personal names was characteristic of this era, often signifying individual authority or influence. This hemidrachm served as a vital component of local commerce, demonstrating Rhaukos's capacity to control economic instruments.
Artistry: While specific design details are not provided, coinage of this period generally reflects prevailing Hellenistic artistic conventions. The anonymous engraver would have worked within the established Greek numismatic tradition, producing naturalistic yet idealized designs. Typical Cretan motifs often included local deities like Zeus or Britomartis, mythological figures, or symbols relevant to the issuing authority. Craftsmanship aimed for clear, recognizable imagery, balancing local artistic sensibilities with broader Hellenistic aesthetic trends.
Technical/Grading: Struck in silver, this hemidrachm weighs 2.16 grams and measures 16 millimeters, aligning with standard specifications for the denomination. For grading, key high-points to examine typically include the highest relief areas of any portraiture (hair, cheekbone) or figural representation (musculature, drapery folds). Superior examples exhibit a well-centered strike with full details on both obverse and reverse, good die alignment, and a well-formed flan free from significant planchet flaws.