Hemidrachm

Emittent Messene (Messenia)
Jahr 50 BC - 30 BC
Typ Standard circulation coin
Nennwert Hemidrachm (1/2)
Währung Drachm
Material Silver
Gewicht 2.36 g
Durchmesser 16 mm
Dicke
Form Round (irregular)
Prägetechnik Hammered
Ausrichtung Variable alignment ↺
Stempelschneider
Im Umlauf bis
Referenz(en) Peloponnesos#746 , BostonMFA#1185 , HGC 5#572 , Grandjean#196-197
Aversbeschreibung Diademed head of Zeus right.
Aversschrift
Averslegende
Reversbeschreibung Tripod in the middle with the letters ME Σ across field. The name of the magistrate divided by the tripod and in two lines. All within wreath
Reversschrift Greek
Reverslegende ΜΕ Σ IΠ ΠA PX OΣ
Rand
Prägestätte
Auflage ND (50 BC - 30 BC) - -
Numisquare-ID 2810004850
Zusätzliche Informationen

Historical Context: This silver hemidrachm from Messene, minted between 50 and 30 BC, belongs to the tumultuous late Hellenistic period, marked by the final convulsions of the Roman Republic and the rise of imperial power. Messene, a significant city in Messenia, Peloponnesos, maintained civic autonomy and the right to issue its own coinage even under increasing Roman influence. The continued production of local silver denominations like this hemidrachm underscores the city's economic vitality and a persistent sense of local identity amidst profound political shifts.

Artistry: While specific iconographic details for this issue are not provided, Messenian coinage of this era typically features local deities or heroes, executed by skilled master engravers. The stylistic school adheres to late Hellenistic conventions, often combining classical ideals with developing realism or a robust aesthetic. Despite political uncertainties, the artistic output generally reflects competent craftsmanship, aiming for clear, recognizable imagery that resonated with the city's populace and cultural heritage.

Technical/Grading: This hemidrachm, weighing 2.36 grams and measuring 16 millimeters, is struck on a silver flan. Key high-points susceptible to wear typically include prominent features of the obverse portrait or deity (hair, facial contours, headwear) and exposed elements of the reverse design. Technical strike qualities vary; well-preserved examples exhibit a relatively full strike, good centering, and a consistent flan, though minor planchet irregularities or die wear are not uncommon for issues of this late period.

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