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Uitgever Mytilene
Jaar 412 BC - 378 BC
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht 2.52 g
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Bare head of Io facing right, her hair arranged in flowing waves and bound with a tainia; the rendering is naturalistic and finely detailed, characteristic of the high-quality die engraving associated with Lesbian electrum coinage. The portrait exhibits a graceful profile with delicate facial features, the hair swept back in undulating locks with individual strands carefully articulated. No legend or inscription appears in the field.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage ND (412 BC - 378 BC)
Aanvullende informatie

Mytilene's electrum hektes occupied a peculiar niche in Aegean trade: struck in a naturally occurring gold-silver alloy sourced from the river sands of the Lydian interior, they circulated as high-value fractional currency along the eastern Aegean littoral from roughly the Persian Wars onward. The city produced these coins in matched obverse-reverse pairs that changed with each issue — a deliberate policy, whether for anti-counterfeiting purposes or civic display, that has never been fully resolved in the scholarship.

The date range assigned to this piece brackets the period of intense Spartan-Athenian proxy conflict in the region, including the Mytilenean revolt of 428 and its brutal Athenian suppression. Bodenstedt 77 is a relatively late pairing in the sequence.

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