Guldiner - Matthaus Schiner

Émetteur Sion, Bishopric of
Année 1501
Type Standard circulation coin
Valeur 1 Thaler
Devise Thaler (1475-1780)
Composition Silver
Poids 29.15 g
Diamètre 45 mm
Épaisseur
Forme Round
Technique
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s) HMZ 2#1020b
Description de l’avers Mitre above shield in inner circle surrounded by legend. Outer circle made of 17 smaller shields
Écriture de l’avers Latin
Légende de l’avers + MATEVS · EPS · SEDV` · PREF` · ET · CO · VALES
Description du revers Kneeling saint Theodor holding crozier and sword. Angel and demon holding banner above. Altar at left, date below.
Écriture du revers Latin
Légende du revers + PRECIBVS : S : THEODOLI : DIMISSA : EST · CVLPA · CAROLI 1501
Tranche
Atelier
Tirage 1501 - -
ID Numisquare 1286570940
Informations supplémentaires

Historical Context: The 1501 Guldiner from Sion, under Bishop Matthäus Schiner, is a significant early 16th-century numismatic issue. Schiner (Bishop 1499-1522), a powerful cardinal, diplomat, and military leader, profoundly influenced Swiss and European politics, often opposing France. Issuing this large silver denomination underscored his economic autonomy and princely authority, reflecting the era's shift towards substantial silver coinage and power projection by ecclesiastical princes.

Artistry: This Guldiner exemplifies the late Gothic aesthetic transitioning into early Renaissance style, common in Alpine regions. Engraver details are typically unrecorded, but craftsmanship suggests a skilled regional die-cutter. The design usually features Bishop Schiner's elaborate coat of arms, often impaled with Sion's arms, on the obverse. The reverse commonly displays a prominent religious motif like Saint Theodul, Sion's patron saint, or complex heraldry, all rendered with intricate period detail.

Technical/Grading: Struck in silver, weighing 29.15 grams and measuring 45 millimeters, this Guldiner is a substantial coin. High-points for grading include intricate details of episcopal regalia, heraldic elements like crowns and mantling, and any saintly facial features. Early 16th-century striking methods often resulted in unevenness, with potential weakness at the peripheries or slight central flatness. Flan quality may also show typical period irregularities, such as minor laminations, expected for this large-format coinage.

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