Guldiner

发行方 Uri, Schwyz and Unterwalden, Monetary Union of
年份 1513
类型 Standard circulation coin
面值 Guldiner (1)
货币 Fiorino d`argento (1503-1548)
材质 Silver
重量 29.5 g
直径 39.1 mm
厚度
形状 Round
制作工艺
方向 Variable alignment ↺
雕刻师
流通至
参考资料 HMZ 1#2-939, Dav EC I#8760
正面描述 Crowned double-headed imperial eagle. Crossed papal keys above. Three escutcheons below with the coats of arms of Uri, Schwyz and Unterwalden. Beaded circle around.
正面文字 Latin (uncial)
正面铭文 · VRANIE · SVIT · ET · VNDERVALDI
背面描述 St. Martin on horseback to right, sharing his cloak with a beggar walking beside him.
背面文字 Latin (uncial)
背面铭文 ?SANCTVS · MARTINVS · EPISCOPVS
边缘
铸币厂
铸造量 ND (1513) - -
Numisquare 编号 1101097550
附加信息

Historical Context: The 1513 Guldiner represents a significant monetary issuance by the nascent Swiss Confederation, specifically the foundational Forest Cantons of Uri, Schwyz, and Unterwalden. Struck during the early 16th century, this era saw the cantons' growing military and political autonomy, often through mercenary service, and their increasing need for stable, high-value currency. This collective coinage underscores an early monetary union, reflecting inter-cantonal cooperation and burgeoning economic self-determination.

Artistry: While the engraver remains anonymous, this Guldiner's design embodies the transitional stylistic period between late Gothic and early Renaissance art. The coin typically features the distinct heraldry of the issuing cantons: the Uri ox head, the Schwyz cross, and the Unterwalden key, often arranged within a tripartite shield. The reverse commonly depicts Saint Martin on horseback, a popular patron saint, rendered with characteristic rigid yet detailed precision, emphasizing symbolic representation.

Technical/Grading: Given its substantial 29.5-gram weight and 39.1-mm diameter, the Guldiner's strike quality varies considerably due to early minting technology. Key high-points susceptible to wear or weak strike include the raised elements of the cantonal arms—such as the ox's horns, the cross's details, and the key's intricacies—along with the saint's facial features and the horse's mane. Expect potential for minor planchet irregularities, adjustment marks, and slight off-center strikes, characteristic of 16th-century large silver issues.

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