カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Saint Stephen, protomartyr, is depicted full-length and nimbate, standing in a frontal hieratic pose within a beaded inner circle. He holds a palm frond in his right hand, symbolising martyrdom, and a book — likely the Gospels — in his left. The figure is rendered in the flat, linear style characteristic of late-fifteenth-century Low Countries hammered coinage. The surrounding legend in Gothic uncial script reads S STEPHAN PROTHOM, identifying the saint as Stephen the first martyr, and is contained between the inner circle and the milled outer border. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Nijmegen held a peculiar status in the late fifteenth century — a free imperial city of the Holy Roman Empire that simultaneously maintained deep ties to the Burgundian Netherlands, a dual allegiance that made its coinage politically loaded. The right to strike gold was jealously guarded and frequently contested; this gulden falls within a brief window before Habsburg consolidation effectively ended municipal minting autonomy across the region. Delmonte G#667 is among the scarcer civic gold issues of the period precisely because the city's minting activity was already contracting under external pressure by the turn of the century.