| 発行体 | Florence, Republic of |
|---|---|
| 年号 | 1318-1326 |
| 種類 | Standard circulation coin |
| 額面 | 30 Denari (1/8) |
| 通貨 | Fiorino (1115-1532) |
| 材質 | Silver (.958) |
| 重量 | 2.05 g |
| 直径 | 22 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | Lippo di Aldobrandino |
| 流通終了年 | |
| 参考文献 | MIR#51 |
| 表面の説明 | Lily of Florence with two flowers surrounded by legend. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
✠ DET• TIBI• FLORERE XPS• FLORENTIĀ VERE: (Translation: Florence, may Christ truly grant that you flourish) |
| 裏面の説明 | Saint John the Baptist, enthroned, wearing an animal fur, and holding in his right hand a staff ending in a cross, and in his left hand a scroll with the word ECCE. Mintmaster`s symbol precedes legend. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | ✠ SANTVS• IOHĀ N NES• BĀTISTĀ• ECCE |
| 縁 | Smooth |
| 鋳造所 | |
| 鋳造数 |
ND (1318) - 1st. Dardano Acciaiuoli - flint - ND (1318) - 2d. Lippo Aldobrandini - miter - ND (1319) - Crescent moon - ND (1320) - 1st. Lapo Strozzi - nail. - ND (1320) - 2d. Uberto Albizzi - star - ND (1321) - 1st. Filippo Bonsignor - flower - ND (1322) - 1st. Gherardo Gentili - trefoil - ND (1324) - 1st. Strozza Strozzi - rattle - ND (1326) - 1st, Giotto Peruzzi - upright sword - |
| Numisquare ID | 1068420610 |
| 追加情報 |
Historical Context: The Grosso of 30 denari, issued by the Republic of Florence between 1318 and 1326 (MIR#51), represents a crucial silver denomination within one of Europe's preeminent financial and commercial powers. This specific period saw Florence consolidate its economic dominance through banking and trade, with the grosso serving as a vital medium for daily transactions alongside the gold florin. The coin's fixed value of 30 denari underscores the republic's sophisticated monetary system, navigating internal political dynamics while projecting stability and wealth across its vast commercial network in a pre-Black Death economic expansion.
Artistry: Artistically, Florentine coinage of this era adheres to the established medieval Italian municipal style. Individual engravers are not recorded; rather, the focus was on clear, recognizable iconography. The obverse features a robust, frontal bust of St. John the Baptist, Florence's patron saint, depicted with a halo and often a cross-tipped staff. The reverse proudly displays the stylized Florentine lily (fleur-de-lis), a potent civic emblem. Execution, while not aiming for naturalism, demonstrates competent craftsmanship, prioritizing legibility of legends (S. IOHANNES B / FLOR-ENTIA) and symbolic clarity.
Technical/Grading: For grading this Grosso, key high points include the definition of St. John the Baptist’s facial features, the folds of his garment, and the details of his cross-tipped staff on the obverse. On the reverse, the clarity of the lily's petals, its central stamen, and the surrounding legend are paramount. The strike quality, centering of the design within the 22mm planchet, and the integrity of the .958 fine silver surface are critical. Weakness often occurs at the legends' peripheries or on the highest relief points of the lily or St. John's head, requiring careful evaluation of wear versus strike quality.