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Gold Stater British Af1 Lepe

Uitgever Atrebates and Regini tribes (Celtic Britain)
Jaar 55 BC
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Stater
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
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Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A highly disjointed and fragmented horse rendered facing left in the severely abstracted Celtic artistic tradition, with elongated stick-like legs typical of the Atrebatic series. Numerous pellets are scattered liberally above the horse in the upper field, and a single pellet appears beneath the horse's body. The design elements are arranged across an irregular flan with no exergue line, legend, or additional symbol, reflecting the advanced devolvement of the Macedonian prototype from which British Celtic staters ultimately derive.
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Opschrift keerzijde Log in om details te zien
Rand Plain
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

The Atrebates were almost certainly introduced to Gallo-Belgic coinage traditions through direct contact with continental tribes — possibly refugees or warriors crossing the Channel in the decades before Caesar's invasions of 55 and 54 BC. These staters derive ultimately from Macedonian gold prototypes that had traveled northwest through trade and mercenary payment over roughly two centuries, degrading in design with each regional reinterpretation. The Lepe findspot, on the Hampshire coast, places this type squarely in Atrebatic heartland territory.

Caesar's campaigns created immediate monetary disruption among southern British tribes, accelerating the shift toward locally struck coinage with increasingly abstract imagery.

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