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Gold Plated ¼ Stater - Addedomaros Floral / Cruciform Contemporary Counterfeit

Uitgever Addedomaros (King of the Trinovantes and Catuvellauni)
Jaar 45 BC - 25 BC
Type Log in om details te zien
Waarde ¼ Stater
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Heavily corroded and worn field with traces of a stylised floral or vegetal design executed in the Celtic La Tène artistic tradition. The surface is largely obscured by encrustation and loss of the original gold wash, revealing the base bronze core beneath. Debased die-work suggests the work of a contemporary counterfeiter imitating the authorised coinage of Addedomaros. No legible inscription or lettering is discernible. The irregular flan edge is characteristic of crudely hammered late Iron Age British coinage.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Plain
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Contemporary counterfeits of Iron Age staters — cast or struck in base metal and plated with a thin gold wash — circulated alongside official issues throughout the late British Iron Age, and distinguishing them from "official" coinage is complicated by the fact that no centralized minting authority existed to define the distinction. Addedomaros, whose name appears on some of the earliest coins bearing a ruler's name in Britain, almost certainly had no mechanism to suppress such imitations even had he wished to. At this scale and weight, the piece functioned within a gift-exchange and tribute economy where ritual acceptability may have mattered more than metallic purity.

MISSCHIEN OOK INTERESSANT