Gold Magdalon - Charles III

発行体 Provence, County of
年号 1480-1481
種類 Standard circulation coin
額面 1 Gold Magdalon (1.5)
通貨 Livre
材質 Gold
重量 1.36 g
直径
厚さ
形状 Round (irregular)
製造技法 Hammered
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 Dy féodales#1720, Rolland#143, Rolland#144, PA#XCII/9
表面の説明 3/4 bust of St. Magdalene holding globe.
表面の文字体系 Latin
表面の銘文 ✠ KAROLVS ANDEGAVIE IHRLM SICILIE REX
(Translation: Charles of Anjou, king of Jerusalem and Sicily.)
裏面の説明 Cross of Anjou between crowned K and lily.
裏面の文字体系 Latin
裏面の銘文 ✠ •IN• HOC• SIGNO• VINCES• L
(Translation: You defeat with this sign.)
鋳造所 Aix-en-Provence, France(?-1786)
L
Tarascon, France
鋳造数 ND (1480-1481) - (fr) Rolland #143 -
ND (1480-1481) L - (fr) Rolland #144 ; L pour le maître Laurent Pons. -
Numisquare ID 1674976520
追加情報

Historical Context: The Gold Magdalon of Charles III represents a poignant numismatic artifact from the twilight of independent Provençal sovereignty. Struck during his brief reign from 1480 to 1481, this coin embodies the final chapter of the County of Provence before its integration into the French royal domain. Charles III, also known as Charles IV of Anjou, was the last Count to issue coinage as an autonomous ruler, making this Magdalon a crucial historical document of a pivotal transitional period in French regional history.

Artistry: The design of the Magdalon, likely depicting Mary Magdalene, reflects the strong religious iconography prevalent in late medieval European coinage. While the specific engraver remains unrecorded, the coin’s stylistic elements would align with the prevailing Late Gothic aesthetic, possibly showing nascent influences of the burgeoning Renaissance. The small flan size necessitated a concise yet impactful representation, focusing on the saint’s attributes or a stylized bust, characteristic of gold issues intended for high-value transactions.

Technical/Grading: Weighing 1.36 grams of gold, this Magdalon would have been struck on a relatively thin flan, making full and even strikes a premium. Key high-points for preservation would typically include the details of Mary Magdalene’s face, hair, and any accompanying symbols such as an ointment jar, if present. The strike quality often varied, with common issues including slight off-centering, weakness in peripheral legends, or minor planchet irregularities, which are important considerations for grading this rare and historically significant gold issue.

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