Catalogus
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| Uitgever | Kingdom of France |
|---|---|
| Jaar | 1494-1498 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | 3.44 g |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | XPS VINCIT XPS REGNAT XPS IMPERAT (Translation: Christ wins, Christ rules, Christ commands.) |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The second issue of Charles VIII's Ecu au soleil dates to the years immediately following his Italian campaign of 1494 — a military adventure that exposed the French court to Renaissance art and coin design, though the Ecu itself retained its established Carolingian-influenced structure. Charles entered Naples in February 1495 with virtually no resistance, only to see his gains dissolve within months under the League of Venice.
The "initial lilies" designation distinguishes this emission from adjacent issues by the placement of fleurs-de-lis as mint differentials, a system the French royal administration used to track production accountability across multiple active ateliers.