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| 正面描述 | A stylised boat depicted in the lower field, carrying two schematic human figures rendered in the abstract Celtic artistic tradition. A rosette ornament appears behind the figures to the left. The design is executed in a highly abstracted, geometric manner characteristic of late Iron Age British coinage, with bold raised lines defining the hull and occupants against a plain flan. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A prominent tree-like or branching object occupies the central field, rendered as a stylised abstract motif with radiating lines extending outward from a central axis, evoking either a plant, a solar symbol, or a schematic horse derived from the Gallo-Belgic prototype tradition. The design fills much of the flan and is executed in the loose, impressionistic hammered style typical of Atrebatic quarter staters of this period. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Atrebates occupied territory straddling what is now the Hampshire-Sussex border, and their coinage tradition derives ultimately from Macedonian gold staters that entered Britain through Gaulish intermediaries during the late Iron Age. The "Sills Insular" classification reflects work by numismatist John Sills in distinguishing a regionally produced insular series from its Continental prototypes — a distinction that collapsed several previously separate attribution categories.
Van Arsdell 201 is among the types recovered in quantity from the Alton hoard, suggesting concentrated use within a specific tribal or ritual context rather than broad circulation.