Gold 1/4 Stater - East WiItshire Dahlia Horse Left

发行方 Dobunni tribe (Celtic Britain)
年份 55 BC - 45 BC
类型 Standard circulation coin
面值 1/4 Stater
货币 Stater
材质 Gold
重量 1.0 g
直径 11 mm
厚度
形状 Round (irregular)
制作工艺 Hammered
方向 Variable alignment ↺
雕刻师
流通至
参考资料 ABC#2109 , Van Arsdell#232 , Sp#48 , BMC Iron#537
正面描述 Crossed corded wreaths, locks of hair in each quarter. Spike replaced by two parallel lines with pellet-in-ring terminals.
正面文字
正面铭文
背面描述 Triple-tailed horse left, collar around neck, strap around belly. Floral sun above. Cogwheel below.
背面文字
背面铭文
边缘
铸币厂
铸造量 ND (55 BC - 45 BC) - -
Numisquare 编号 1413894630
附加信息

Historical Context: This Gold 1/4 Stater was issued by the Dobunni tribe, a powerful Celtic people inhabiting parts of southwestern Britain, during the critical period of 55 BC - 45 BC. This era directly coincides with Julius Caesar's expeditions to Britain, highlighting the Dobunni's independent economic and political standing amidst increasing Roman influence. Such coinage facilitated tribal transactions, tribute, and trade, serving as a tangible representation of indigenous authority and the nascent monetisation of the British economy prior to full Roman conquest.

Artistry: The design exemplifies the distinctive Celtic artistic tradition, which often reinterpreted classical prototypes with abstract and highly stylized forms. While the engraver remains anonymous, typical for this period, the "Dahlia Horse Left" motif is a hallmark of Dobunnic coinage. This rendition of the horse, a potent symbol in Celtic mythology, is characterized by its intricate, almost floral or geometric internal patterning, giving rise to the "Dahlia" epithet. The left-facing orientation is a common convention, presenting a dynamic yet decorative equine form.

Technical/Grading: Struck in gold (1.0 gg, 11 mm), these 1/4 staters are small and often exhibit striking inconsistencies. Key high-points for grading include the horse's head, mane, legs, and the delicate "Dahlia" internal patterning, frequently weak from uneven strikes or wear. Well-centred examples with full detail on the horse’s body and crisp abstract design elements are highly prized. Off-centre or softly struck specimens are more common, reflecting the nature of hand-hammered Celtic coinage production.

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